济宁三孔导游词（5篇）
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孔景区导游词精简版 三孔的导游词15900字【第一篇】
shandong, one of the birthplaces of ancient chinese culture, is a greatland with not only famous mountains and rivers, but also splendid civilizationin the long history of civilization. there are numerous places of interest andscenic spots in shandong.
dear tourists, ladies and gentlemen, you have worked hard all the e to the confucius temple.
dear tourist friends, ladies and gentlemen, welcome to qufu, confucius'hometown, and thank you for choosing me as your guide. i'm zhang, a tour guideof __ travel agency in qufu. you can call me xiao zhang or zhang dao. confuciushas a famous saying: "it's a pleasure to have friends from afar." now let mefeel happy to meet new friends and provide you with tour guide service.
confucius temple is a ritual temple for confucius. confucius is a famousthinker and educator at the end of the spring and autumn period in china, and isrespected as the founder of the confucian school. according to records,confucius was born on the top of the polder, like the shape of niqiu mountain,so because of the name qiu, the word zhongni.
in his life of hard exploration of social practice, confucius deeplyunderstood and understood the society at that time, gradually established thebasic system of confucianism, and became a famous political theorist, educatorand thinker at that time. the confucianism he founded has a great influence inthe history of china and even the world. in the second year after confucius died(478 bc), duke ai of lu changed the hall where confucius lived to "longevityhall". there were three houses, which displayed "clothes, crowns, qin, che, shu"used by confucius, and "because they thought they were temples, they wereworshipped when they were old", that is, they offered sacrifices on time everyyear. although confucius was a well-known academic master at that time,confucianism was only a school, and confucius was not in a high position, so theoriginal confucius temple was only the former residence of confucius. after thehan dynasty, the status of confucius and confucianism gradually improved.
according to records, from 220 to the time before liberation, theconfucius temple was rebuilt and expanded for more than 70 times. after morethan 20__ years of reconstruction and expansion, the confucius temple in qufuformed a large-scale ancient architectural complex. it covers an area of about140000 square meters, including 466 halls, pavilions, 54 gates and 17 stelepavilions. with its large scale, the palace museum and chengde mountain resortare known as the three major ancient architectural complexes in china.
the overall layout of confucius temple is a long-term development ofconfucius' former residence, which has a history of more than 2400 years. thearchitectural effect pursued by the development of confucius temple is achievedthrough the environment created by the whole building complex to set off thegreat achievements of confucius and the profound and extensive of confucianismand taoism. therefore, the artistic expression of confucius temple architectureis firstly the integrity of its overall layout and architectural sequence;secondly, the treatment of its individual buildings and the pattern of eachcourtyard, and each hall, hall, building, door and pavilion fully shows theirrespective important role; the third is the subtle aspects of individualarchitecture, which fully reflects the unparalleled artistic achievements ofchinese ancient architects in design and construction. in the aspect of overallarchitecture, confucius temple adopts the ancient traditional palace stylearchitecture. however, it has been rebuilt and expanded for many times inhistory. when it is rebuilt and expanded, it is bound to be limited by theshape, scale and other factors of the previous confucian temple. however, thearchitectural group of the confucian temple finally successfully utilized theheritage of the previous generation, which not only reflects the continuation ofthe historical heritage, but also maintains its overall integrity. this uniquearchitectural form is caused by many factors. first of all, the confucius templeis an extension of the former residence of confucius, which preserves manyhistorical sites related to confucius, such as the old house well, poetry hall,lubi, jinsi hall, and the apricot altar built to commemorate confucius'lectures; second, the royal ancestral temple factors, such as the halberdsystem, the front hall and the back bedroom system; third, the palace factors,such as the five gate system of the emperor, the turret system of the royalcity, the east and west huamen, etc; the fourth is the factors of clan andfamily temples, such as qisheng temple, chongsheng temple, family temple, etc.;the fifth is the factors of sacrifice. in addition to confucius, sipei andtwelve philosophers, there are also sages, confucians and ancestors, with atotal number of more than 200 people. in order to accommodate a large number ofworshippers, it is necessary to set up veranda, thus forming veranda addition to the above factors, it also highlights the sage status ofconfucius and the sanctity of confucius and mencius, such as panchi, bishui,memorial archway and so on, and symbolizes confucius' great academicachievements with the book building. confucius temple has successfully used thetraditional combination of courtyard and environment, and achieved the purposeof rendering confucius' outstanding contribution in academic and education andhis lofty position in ancient society. it is a unique architectural form inancient chinese architectural complex.
there are more than 1200 ancient trees in the confucius temple, whichreflect each other with the magnificent buildings. especially in summer,thousands of egrets live on the ancient trees, forming another unique landscapeof the confucius temple. egrets have been designated as city birds by qufucity.
wanren palace wall
jin sheng yu zhen fang
jinshengyuzhen square was built in 1538, the 17th year of jiajing reign ofming dynasty. the four characters of "jinshengyuzhen" are written by huzuanzong, a scholar of ming dynasty. on the square, there is a light carvedcloud dragon playing with pearls. on the top of each column, there is a roundcarving "ward off evil spirits", commonly known as "chaotianhou". behind thesquare, there is a single hole stone bridge, on which there is a dragon, named"panshui bridge". under the bridge, the upstream of panshuiyuan is connectedwith gupanchi, and the downstream flows through the south gate of ming cityxishuimen enters the moat. the bridge was built in the 16th year of the reign ofemperor kangxi of the qing dynasty (1677 ad).
the four characters of "jin sheng yu zhen" come from "mencius · wan zhangxia", mencius said: "confucius is called jidacheng. he who has achieved greatsuccess has a golden voice and a jade. the first is the sound of gold, and thelast is the sound of jade. " it means that confucius is a master of sages andsages. the original meaning of "jin sheng" refers to the sound of "zhong", anancient musical instrument in china. the original meaning of "yu zhen" refers tothe sound of "qing", an ancient musical instrument in china. mencius comparesconfucius' thought to a perfect music. here, to borrow mencius' meaning, itmeans that confucius' thought is perfect and integrates the achievements ofancient sages to reach the top.
lattice star gate
lingxing gate was built in the 13th year of yongle (ad 1415) of mingdynasty. it was originally made of wood. in the 19th year of qianlong (ad 1754)of qing dynasty, it was replaced by stone pillars and iron beams when kongzhaohuan rebuilt the confucius temple. on the top of the four pillars are thefour generals, and on the middle beam are the fire pearls, which symbolizes thatthe gate is guarded by the generals and becomes a towering gate.
lingxing, namely tiantian star, was first seen in the historical data ofthe han emperor gaozu's order to worship lingxing. the ancients believed thatlingxing was a star that "the lord was honored by the scholars" and wasspecially in charge of officials. in the sixth year of emperor renzong of songdynasty ( 1028), a lingxing gate was built on the outer wall of theplatform, which was like a window lattice. there is a gate in the confuciustemple, which means to worship confucius as heaven. this can be seen in therecords of jingding jiankang and jinling xinzhi of song dynasty. in addition,there is a inscription in the confucius temple: the lingxing gate is set up to"dredge it to accommodate the corporal". wherever there is a lingxing gate, itsdoor leaf must be made of lattice structure, so it has the meaning of confucius temple takes this meaning to attract scholars from all over theworld to study here.
in feudal society, all the officials who came to qufu to offer sacrificesto confucius, regardless of their positions, had to get off the sedan chair anddismount the military officials to show their respect for confucius. thismonument was first erected in the second year of the reign of emperor mingchangof jin dynasty (1191 ad), and now only one is left in the east.
taihe yuanqi square
taihe yuanqi square was built in the 23rd year of jiajing in the mingdynasty (1544 ), which is of stone structure. "taihe yuanqi" was written bythe governor of shandong at that time.
"taihe" refers to the combination of heaven and earth, sun and moon, andyin and yang. "yuanqi" originally means the original material that forms theworld. later, some materialists called the five elements "yuanqi" as "gold,wood, water, fire and earth". everything in the world is composed of fiveelements. here, "yuanqi" is the combination of heaven and earth, sun and moon,and yin and yang, which is the basis for the growth of all things. "taihe qi"means that confucius thought embodies the essence and the most noble aspect ofhuman thought. it can make human thought reach a supreme position as theuniverse produces everything.
after yuanqi square of taihe, there was the "zhisheng temple" square,formerly known as the "xuansheng temple" square. there was no record of itsfounding date. there was a "xuansheng temple" square on the temple map in the16th year of hongzhi of ming dynasty (ad 1503). in 1729 ad, xuansheng temple waschanged to zhisheng temple. this square is white marble. "zhi" meanssupreme.
"demou heaven and earth, daoguan ancient and modern" means that confuciuscontributed as much to mankind as heaven and earth. confucius thought isunprecedented, and is supreme in both ancient and modern times and in thefuture.
holy time gate
shengshimen, originally the main gate of confucius temple, was built in the13th year of yongle (ad 1415) of ming dynasty, expanded in the 12th year ofhongzhi (ad 1499), and named "shengshimen" by emperor shizong of qing dynasty inthe 8th year of yongzheng (ad 1730). the gate is built on a high platform, andthere are reliefs on the front and rear royal roads respectively. it is carvedin the ming dynasty. "shengshimen" was written by emperor gaozong of qingdynasty.
the word "shengshi" comes from mencius. after comparing four ancientchinese sages, mencius pointed out: "boyi is the sage of qing dynasty; yiyin isthe sage of ren dynasty; liuxiahui is the sage of harmony; confucius is the sageof time". yi yin helped tang exterminate xia jie, assisted wai bing after tangdied, and established tang sun tai jia to ascend the throne after zhong rendied. because tai jia destroyed tang fa, he was banished by yi yin. three yearslater, tai jia repented and yi yin took him back. mencius called yi yin thesage; liu xiahui was a senior official of the state of lu in the spring andautumn period. he had been demoted three times and remained in office. whenasked why he didn't leave, he replied, "how can we go straight and serve people?why should we go to our parents' country if we do wrong?" later, when qiattacked lu, he sent people to qi to persuade him to withdraw. without a singlesoldier, he withdrew from qi's army, so mencius said that he was the holy comparison, mencius believes that confucius is the sage of the time, the sageof the whole time, is the most suitable sage of the times, no matter in anyperiod, any dynasty, confucius thought should become orthodox thought.
bishui bridge
when you enter the shengshi gate, it suddenly opens. in the large squarecourtyard, there are towering ancient trees, fragrant grass, symmetrical eastand west, each with a waist gate. the three arch bridges on the opposite sidecover the bishui, and half cover the hongdao gate. in addition, the stone bonsaiis decorated on it. it makes people relaxed and happy, and they are all suddenly feel that they have entered the realm of "god". those who worshipthe saints will look up to the top, and those who watch will see it ted with this situation, the east side of the waist gate is called "quickview", and the west side of the waist gate is called "yang gao". "kuai kan"means seeing first, while "yanggao" comes from the analects of confucius ·zihan. it means that confucius' way is high and unfathomable. looking up, thehigher you look, the higher you study confucius' thoughts and theories. once youenter the door, you will feel that there is no end to what you learn. these twogates were built in the 12th year of hongzhi in ming dynasty (1499 ad). in thepast, only the emperor could go through the main gate for sacrifice, and mostpeople could only enter the temple through the yanggao gate.
in front of a water across, three bridges longitudinal span, ring water hascarved stone column, because the water "around such as bi" named "bi water".there is jinshui in front of tiananmen gate in beijing, where bishui meansconfucius temple is the same as the imperial palace, so the third bridge isnamed bishui bridge. it was first built in the 13th year of yongle (ad 1415) ofming dynasty. in the 12th year of hongzhi of ming dynasty (ad 1499), stonerailings were added. the river body was built with a river bottom. the originalriver was built with small walls. in the 16th year of kangxi of qing dynasty (ad1677), the small walls were changed into stone railings.
hongdaomen
hongdaomen was built in 1377, the 10th year of hongwu in ming dynasty. itwas the main gate of confucius temple at that time. when the confucius templewas rebuilt in hongzhi period of ming dynasty, it was rebuilt into five the eighth year of yongzheng (1730 ), emperor yongzheng designated it as"hongdao gate". later, emperor qianlong inscribed the word "hongdao" and erecteda plaque on the gate.
there are two stone steles under hongdaomen. the east stele is the "historyof qufu county" carved in yuan dynasty, which records the history of qufu beforeyuan dynasty and has high historical value. xibei is the epitaph of mr. chushiwang in yuan dynasty, which is of great calligraphy value. the two steles wereoriginally erected in jiuxian village in the east of qufu city and moved to theconfucius temple in 1964.
da zhong men
dazhongmen is the main gate of confucius temple in song dynasty. it wasbuilt in song dynasty and rebuilt in 1499. the three character plaque of"dazhongmen" was written by emperor gaozong of qing dynasty.
there are three green tile corner buildings on both sides of the dazhonggate. the two corner buildings are built on the square high platform in theshape of a curved ruler. the rectangular outline formed by the two cornerbuildings and the east and west corner buildings behind the confucius temple isthe outline of the confucius temple in the yuan dynasty. the main buildings inthe confucius temple are within this outline. the turret was built in 1331 the second year of the yuan dynasty. the corner tower of confucius temple ismodeled on the corner tower of imperial city, which means that confucius templeis as majestic as imperial palace.
tongwenmen was built in song dynasty. it was originally three rooms, andexpanded to five rooms in chenghua period of ming dynasty. it was called"shentongmen" in the reign of emperor kangxi of the qing dynasty, and changed totongwenmen in the seventh year of yongzheng of the qing dynasty (1729 ad). thisdoor is a single door, no wall on the left and right. in the past, intraditional chinese palace style architecture, small buildings were often usedas barriers before the main building to show solemnity. tongwen gate acted as abarrier for kuiwen pavilion. "tongwenmen" was written by emperor gaozong of qingdynasty.
kuiwen pavilion
kuiwenge, formerly known as the library, was built in the song dynasty withfive double eaves. in the sixth year of jinmingchang (ad 1195), it was changedinto three eaves and was named "kuiwenge". in the 17th year of hongzhi in mingdynasty (1504 ad), it was changed into seven rooms. emperor qianlong of gaozongof qing dynasty inscribed a plaque on the pavilion.
kuiwen pavilion is meters wide from east to west, meters deepfrom north to south, and meters high. it has triple cornices, four layersof brackets, and eight octagonal stone columns under the eaves. the internalstructure is a laminated wooden frame, with two layers of pavilion and a darklayer in the middle.
kui, the name of the star. one of the 28 sleepers. it is said that it isthe head of the white tiger in the west, with a total of 16 stars, "buckled andhooked, like a painting of words". in the book of filial piety, it is said that"the article of kui master", and later generations further described kui star as"the head of civil servants". therefore, in order to praise confucius as a civilservant, jin zhangzong named the original library kuiwen pavilion.
kuiwen pavilion has experienced hundreds of years of ups and downs andhundreds of earthquakes since it was expanded in 1504. in the west pavilion,there is a tablet recording a major earthquake in the kangxi period of qingdynasty, "nine houses in the world, one in the world". that is to say, 90% ofthe houses collapsed and kuiwen pavilion was safe and sound. by the early 1980s,kuiwen pavilion had been in disrepair for many years. some of the wood wasrotten and the top of the pavilion was twisted. under the leadership of thestate administration of cultural relics, experts on ancient buildings wereorganized to work out a restoration plan. more than million yuan wasallocated to renovate kuiwen pavilion one year ahead of the original renovated kuiwen pavilion has completely maintained its originalspecifications and style.
there are two stone tablets in the east and west of kuiwenge ge fu in the east is written by li dongyang, a famous poet in mingdynasty, and qiao zong, a famous calligrapher. in the west is kuiwenge resetbooks record, which records that in 1511, liu liu and liu qi led the peasantuprising army to capture qufu and occupy the confucius temple. after they burnedkuiwenge's books, the emperor ordered the ministry of rites to issue imperialbooks. in the late qing dynasty, the collection of books in kuiwen pavilion wasmoved to confucius' residence for preservation.
kuiwen pavilion is now on display with the pictures of confucius' holyrelics
介绍三孔的导游词【第二篇】
山东，中国古老文化的发祥地之一，这片伟大的土地不仅有名山大川、碧波万顷，而且在漫长的文明历史发展过程中孕育了非常灿烂的文明。山东的名胜古迹、山水风光举不胜举。
各位游客、各位先生、小姐，一路辛苦了，欢迎您来孔庙。
尊敬的游客朋友，女士们，先生们，你们好！欢迎各位来到孔子的家乡曲阜参观游览，同时也感谢您选择我作为您此次游览的向导。我是曲阜旅行社的导游员张某，大家可以叫我小张或者张导。孔子有句名言：“有朋自远方来，不亦乐乎。”下面就让我怀着结识新朋友的欣喜心情，为大家提供导游服务。
孔庙是祭祀孔子的礼制庙宇。孔子是我国春秋末期著名的思想家、教育家，被尊为儒家学派的创始人。据记载，孔子生而首上圩顶，似尼丘山之形，故因名丘，字仲尼。
孔子在一生艰辛探索的社会实践中，深入了解和认识了当时社会，逐步创立了儒家思想的基本体系，成为当时著名的政治理论家、教育家、思想家。他创立的儒学思想在中国乃至世界历史上都有着很大的影响。孔子死后第二年(公元前478年)，鲁哀公将孔子生前所居之堂改做“寿堂”，房屋三间，里面陈列着孔子使用过的“衣、冠、琴、车、书”，“因以为庙，岁时奉祀”，即每年按时祭祀。尽管当时孔子已是相当知名的学术大师，但儒家还只是一个学派，孔子的地位不高，所以最初的孔庙也仅仅是孔子的故居。汉代以后，孔子及儒学地位逐渐提高。
据记载，从公元220xx年到解放前，孔庙先后重修扩建七十多次：历经两千余年的历代重修扩充，便得曲阜孔庙形成了规模宏大的古代建筑群。共占地约14万平方米，殿堂阁庑466间，门坊54座，碑亭17座。规模之大，与北京故宫、承德避暑山庄并称为全国三大古建筑群。
孔庙的总体布局是由孔子当年的故居长期发展而来的，至今已有二千四百余年的历史。孔庙建筑发展追求的建筑效果是通过建筑群整体所造成的环境去烘托孔子的丰功伟绩和儒学圣教的高深博大来完成的。因此，孔庙建筑的艺术表现力首先是它的总体布局及建筑序列的完整性；其次是它的个体建筑的处理及每道院落的格局，每个殿、堂、楼、门、亭都充分显示出了各自的重要作用；第三是个体建筑的细微方面，充分体现了我国古代建筑家们在设计和施工方面的无与伦比的建筑艺术成就。在整体建筑方面，孔庙采用古代传统的宫庭式建筑形式。但它经过历史上的多次重修扩建，每当重修扩建的时候，它必然要受到前代孔庙建筑形制、规模等因素限制，然而，孔庙的建筑群体最终成功地利用了先代遗产，既体现了历史遗产的延续，又保持了它的总体的完整性。这种独特的建筑形制是由多种因素促成的。首先，孔庙是孔子故宅扩建而成的，它保存了许多有关孔子的古迹，如故宅井、诗礼堂、鲁壁、金丝堂以及为纪念孔子讲学建造的杏坛等；其次是王者宗庙因素，如门戟之制，前殿后寝之制等；第三是宫庭因素，如天子五门之制，王城角楼之制，东、西华门等；第四是宗族家庙因素，如启圣殿、崇圣祠、家庙等；第五是祭祀因素，在孔庙被祭祀者除孔子、四配、十二哲外，还有先贤先儒、祖先等总数达二百余人，这样为容纳大批的从祀者神位，就须得设立廊庑，由此便形成了廊庑院落。除以上几个因素外，还突出地表现了孔子的圣人地位及孔孟之道的神圣性，如泮池、璧水、牌坊等，并以书楼象征孔子在学术方面的伟大成就。孔庙成功地运用了传统的庭院组合与环境烘托相结合的表现手法，达到了渲染孔子在学术上、教育上的卓越贡献和在古代社会中崇高地位的目的，是中国古代建筑群中别具一格的建筑形制。
孔庙内现有古树一千二百余棵，与宏伟的建筑群相互辉映，特别是夏季，上千只鹭鸟居住在古木之上，形成了孔庙又一独特的景观，鹭鸟已被曲阜市定为市鸟。
万仞宫墙
金声玉振坊
金声玉振坊建于明代嘉靖十七年(公元1538年)，“金声玉振”四字为明代学者胡缵宗手迹，坊上有平面浅雕云龙戏珠，柱顶各设圆雕“辟邪”一只，俗称“朝天吼”，坊后有一座单孔石桥，上设龙陛，名曰“泮水桥”，桥下泮水原上游接古泮池，下游流经明城正南门西水门入护城河。此桥建于清康熙十六年(公元1677年)。
“金声玉振”四字出自《孟子·万章下》，孟子说：“孔子之谓集大成。集大成也者，金声而玉振之也。金声也者，始条理也，玉振之也者，终条理也。”意思是说孔子集圣贤之大成，始终而一。“金声”原意是指我国古代乐器“钟”发出的声音，“玉振”原意是指我国古代乐器“磬”发出的声音，在古代奏乐时以击“钟”为始，击“磬”为终，金声玉振的原意为一首完善的乐曲。孟子将孔子思想比喻为一首完美无缺的乐曲，在这里借用孟子语意，是说孔子思想完美无缺，集古圣贤之大成，以达到绝顶的意思。
棂星门
棂星门建于明代永乐十三年(公元1420xx年)，原为木质结构，清代乾隆十九年(公元1754年)，衍圣公孔昭焕重修孔庙时，换成石柱铁梁。四根石柱顶端为四大天将，中间平梁上是火焰宝珠，以象征此门由天将守卫而成为参天立地的天门。
棂星，即天田星，最早见于史料的有汉高祖命祀灵星，凡祭天先祭灵星，古人认为灵星“主得士之庆”，专门管官的星。宋仁宗天圣六年(公元1020xx年)，筑郊台外垣置灵星门，即在祭天之台的外墙置灵星门，形如窗棂，故曰“棂”。孔庙设棂星门，意为祀孔如祀天，此见于宋《景定建康志》、《金陵新志》所记。另外，孔庙有碑记：置棂星门“取其疏通之意，以纳天下士”，无论任何地方，只要设有棂星门，那么它的门扇一定是由棂子结构而成，因此有疏通之意，孔庙取此意，以招引天下的文人学士都来学于此。
棂星门外东西两侧，各有一幢下马碑，上刻“官员人等至此下马”，在封建社会，所有来曲阜祭孔的官员，无论职位高低，来到孔庙前见到此碑，须文官下轿，武官下马，以示对孔子的尊崇之意。此碑始立于金明昌二年(公元1191年)，现仅存东面一幢。
太和元气坊
太和元气坊建于明代嘉靖二十三年(公元1544年)，全为石质结构。“太和元气”四字为当时山东巡抚曾铣手书。
“太和”指天地、日月、阴阳会合之气，“元气”原意为形成世界的原始物质，后来，一些唯物主义者将“金、木、水、火、土”这五行称为“原气”，世界上万事、万物都是由五行构成。在这里，“元气”为天地、日月、阴阳会合之气，是生长万物的根本。“太和元气”也就是说孔子思想体现了整个人类思想最精华、最高贵的一面，如同天地生育万物一般，能使人类思想到达一种至高无上的境地。
太和元气坊后为“至圣庙”坊，原名为“宣圣庙”坊，始建年代未查到记载，明弘治十六年(公元1520xx年)的庙图上已有“宣圣庙”坊。清雍正七年(公元1720xx年)改“宣圣庙”为“至圣庙”。此坊为汉白玉石质。“至”即至高无上的意思。
“德侔天地、道冠古今”意思是说孔子对人类做出的贡献如天地一样大，孔子思想是空前绝后，无论古今还是将来，都是至高无上的。
圣时门
圣时门原为孔庙正门，建于明代永乐十三年(公元1420xx年)，弘治十二年(公元1499年)扩建，清雍正八年(公元1730年)清世宗赐名为“圣时门”。此门建于高台之上，前后御道上各有浮雕云龙戏珠石陛，系明代雕刻。“圣时门”三字为清高宗乾隆手书。
“圣时”二字出自《孟子·万章下》，孟子将中国古代的四位圣人做了比较后指出：“伯夷，圣之清者也；伊尹，圣之任者也；柳下惠，圣之和者也；孔子，圣之时者也”。认为伯夷反对武王灭纣，不食周粟而死，为圣之清者；伊尹，帮助汤灭夏桀，汤死后辅佐外丙，仲壬死后立汤孙太甲即位，因太甲破坏汤法，被伊尹放逐，三年后太甲悔过，又被伊尹接回复位，孟子称伊尹为圣之任者；柳下惠是春秋时期鲁国大夫，他曾三次被贬黜而仍留任，人问他为什么不离开，他回答说：“直道而事人，焉往而不三黜？枉道而事人，何必去父母之邦？”后来，齐攻鲁，他派人到齐劝说退兵，没用一兵一卒，就退了齐军，所以孟子说他是圣之和者。通过比较，孟子认为孔子是圣之时者，终始而一的圣人，是最适合时代的圣人，无论任何一个时期，任何一个朝代，孔子思想都应成为正统思想。
璧水桥
进来圣时门，豁然洞开，很大的方形庭院内，古木参天，芳草如茵，东西对称各有一腰门，对面三架拱桥掩跨璧水，半掩着弘道大门，加之石制盆景上缀，使人心旷神怡，无不动情，顿觉进入了“神”的境界。崇圣者仰之弥高，观览者先睹为快。与此情此景相连接，东边腰门曰“快睹”，西边腰门曰“仰高”。“快睹”寓先睹为快之意，“仰高”则出自《论语·子罕》。“仰之弥高，钻之弥坚”意说孔子之道高深不可测，抬头向上看，越看越高，学习孔子的思想学说，一旦入进门来，才感到里面的东西学无止境。此二门建于明代弘治十二年(公元1499年)。过去只有皇帝祭祀才可走正门，一般人只能从仰高门进庙。
前面一水横穿，三桥纵跨，环水有雕刻石栏，因水“壅绕如璧”取名“璧水”。北京天安门前有金水，这里设“璧水”意为孔子庙宇与皇宫等同，三桥因而得名璧水桥。始建于明代永乐十三年(公元1420xx年)，明弘治十二年(公元1499年)增添石栏，河身砌有河底，原河上为小墙，清康熙十六年(公元1677年)将小墙改为石栏杆。
弘道门
弘道门始建于明代洪武十年(公元1377年)，原门三间，当时是孔庙的正门。明弘治年间重修孔庙时，改建为五间。清代雍正八年(公元1730年)，雍正皇帝钦定为“弘道门”，后由乾隆皇帝题写“弘道”二字竖匾立于门额。
弘道门下现有石碑两幢，东碑是元代刻成的“曲阜县历代沿革志”，记载了曲阜在元代以前的历史沿革概况，具有较高的史料价值。西碑是元代“处士王先生墓志铭”，颇有书法价值。二碑原立于曲阜城东旧县村，1964年移入孔庙。
大中门
大中门是宋代孔庙的正门，始建于宋代，明弘治十二年(公元1499年)重修。“大中门”三字匾额系清高宗乾隆手书。
大中门两侧各有绿瓦拐角楼一座，各三间，平面作曲尺形，建在方形高台之上，这两个角楼与孔庙后面东西两角楼形成的矩形轮廓，即是元代孔庙的轮廓。孔庙内的主要建筑物都在此轮廓之内。角楼建于元至顺二年(公元1331年)。孔庙设角楼是仿照宫庭皇城角楼之制而建成的，意使孔庙像皇宫一样威严。
同文门始建于宋代，原为三间，明代成化年间扩为五间。清康熙年间名曰“参同门”，清雍正七年(公元1720xx年)改为同文门。此门是一独门，左右无墙。以前中国传统的宫殿式建筑，在主体建筑之前常有小型建筑作为屏障，以表示庄严，同文门就担当着奎文阁的屏障作用。“同文门”三字为清高宗乾隆手书。
奎文阁
奎文阁原名藏书楼，始建于宋代，重檐五间，金明昌六年(公元1195年)改为三檐，赐名“奎文阁”。明弘治十七年(公元1520xx年)改为七间，清高宗乾隆皇帝题写阁匾。
奎文阁东西阔米，南北深米，高米，三重飞檐，四层斗拱，檐下八根八棱石柱，内部结构为层叠式木架，阁两层，中间夹暗层，原上屋藏御赐经书，暗层藏印板，下层藏御香帛。
“奎”，星名。二十八宿之一。传说为西方白虎之首，共有16颗星，“屈曲相钩，似文字之画”，《孝经》上讲“奎主文章”，后人进一步将奎星说成是“文官之首”。所以，金章宗为赞颂孔子是天下文官主，将原藏书楼命名为“奎文阁”。
奎文阁自明弘治十七年(公元1520xx年)扩建以来，经历了几百年风风雨雨和上百次地震，在西面碑亭内有块碑记载了清代康熙年间一次大地震，“人间房屋倾者九，存者一”，即说百分之九十的房屋倒塌，而奎文阁安然无恙。到本世纪八十年代初，奎文阁因历年久远，加之多年失修，有些木质糟朽，阁上方扭斜，于是由国家文物局主持，组织古建筑专家联合拟出修复方案，拨款120余万元，比原定工期提前一年将奎文阁重新整修。整修完的奎文阁，完全保持了原有的规格和风貌。
奎文阁廊下东、西各有一幢石碑，东为《奎文阁赋》，由明代著名诗人李东阳撰文，著名书法家乔宗书写。西为《奎文阁重置书籍记》，记载了明正德六年(公元1520xx年)刘六、刘七率农民起义军攻占曲阜、占领孔庙，“秣马于庭，污书于池”，将奎文阁藏书“焚毁殆尽”以后，皇帝“又命礼部颁御书以赐”的情况。清代奎文阁中的藏书又有增添，清晚期将藏书移入孔府保存。
奎文阁内现为孔子圣迹图陈列。孔子圣迹图现存三套，一是明代圣迹图绘画，二是明代雕刻圣迹图木板，三是明万历年间的圣迹图石刻。这里陈列的系明木板圣迹图印本。圣迹图全套120幅，描绘了孔子一生主要活动。
十三碑亭
过奎文阁便是十三碑亭院，院内有十三座碑亭，保存了唐、宋、金、元、明、清及民国时期所设立碑刻57块，南排中间两座碑亭系元代至元五年(公元1268年)和元大德六年(公元1320xx年)建的；次外两座系金代明昌六年(公元1195年)所建，其它均为清代建筑。按孔庙的建筑发展，清代碑亭应建在大中门前，清皇帝为了显示自己，将碑拥挤在各碑亭之前，故在此院内出现了双檐穿插交错的拥挤现象。因此有人说这种建筑结构犬牙交错，两角相顶，巨檐相交，是古建筑学上所讲的“勾心斗角”，“勾心斗角”见于《阿房宫赋》，至于其建筑结构是什么样子，已无法确知。
十三碑亭内碑文的内容均为历代帝王、大臣们修庙、祭庙、告庙之类的记录。从书法上看，真草隶篆、座座不同，其中有蒙古文、满文与汉文对照石碑，通过十三碑亭可窥见出历代建筑技术的发展变化。
大成门
大成门在宋代初年叫仪门。宋崇宁三年(公元1120xx年)因大成殿得名大成门。原门三间，明弘治十二年和清雍正二年两次着火后重修，清世宗雍正题匾。此门用黄瓦、彩绘斗拱，前后各用四根石柱擎檐，前后中央四根深雕云龙蟠柱，其余四根为浅雕花纹，前后台阶中有浮雕龙陛，均为明代中期雕刻。此处并五门，将孔庙分成三路，东为承圣门，院内为奉祀孔子上五代祖先的地方。西为启圣门，内奉祀孔子父母。中路三门并立，东西各有掖门，东为金声门，西为玉振门，中路为祭祀孔子夫妇及历代先贤先儒的地方。
先师手植桧
大成门里东侧有一石栏，栏内有一棵桧树，相传为孔子亲手所植。
此树最早记载见于唐人封演所著《封氏闻见记》：“兖州曲阜文宣王庙内并殿西、南，各有柏叶松身之树，各高五、六丈，枯槁已久，相传夫子手植，永嘉三年其树枯死”。手植桧树原有三株，于晋怀帝永嘉三年(公元320xx年)枯死。隋大业十三年(公元620xx年)复生，唐乾封二年(公元667年)又枯；宋康定元年(公元1040年)再生，金贞佑二年(公元1220xx年)毁于兵火。到此，相传原孔子手植桧树绝迹。元至元三十一年(公元1294年)由三氏学堂教授张 将原东庑废墟上发出的桧树苗移栽于此地，即为第四代手植桧。明弘治十二年(公元1499年)孔庙着火，此树被烧死，仅存树身；清雍正二年(公元1720xx年)再次着火，烧毁树身，仅存下约半米高的树桩。树桩一直保存到“文革”前，“文革”初期被锯掉树桩，现石栏内尚保留有第四代树的树根。现在挺挺高耸的桧树是清雍正十年(公元1732年)复生的再生桧。因此，如果算孔子亲植，那么正好是第五代树。现手植桧高大劲拨，围有二人合抱，枝冠似伞，树身似铜，高达十五、六米，树头向南倾斜，不知为什么，清代复生的手植桧树的形状竟和明代万历年间的圣迹图石刻上原手植桧的形状几乎完全一致。有人认为这个与地理位置有关系，不知能否解释清了。仔细想来，似乎有些道理。
先师手植树历来受到重视，“此桧日茂则孔氏日兴”，将它和孔氏子孙的命运联系在一起。宋代米元章(米芾)将手植桧与封建统治者的命运联系在一起，有诗为证：“矫龙怪，挺雄质，二千年，敌金石，纠治乱，如一昔”。
树东立有一碑《先师手植桧》，此碑立于明万历二十八年(公元1620xx年)，字体酣畅，浑厚有力，是明代杨光训手书。
杏坛
宋代以前孔庙内并没有杏坛。现杏坛的位置是宋代以前孔庙的正殿。宋天禧二年(公元1020xx年)，孔子第四十五代孙孔道辅监修孔庙，将正殿扩建，位置后移。为纪念孔子讲学，在原正殿旧址“除地为坛，环植以杏”，即筑一个土台，周围植杏树，名曰“杏坛”。金代在坛上建亭，元世祖至元四年(公元1267年)重修，明穆宗隆庆三年(公元1569年)重建。
杏坛是纪念孔子讲学的地方，最早记载见于《庄子·渔父篇》，“孔子游乎缁帷之林，坐休乎杏坛之上，弟子习书，孔子弦歌鼓琴”。至于原来没有杏坛，或者说有杏坛在什么地方已无法考证了。一般来说《庄子》上面的记载是比较可信的，但《庄子》下篇1般认为是伪作，而《渔父篇》出自《庄子》下篇。因此，对于原杏坛的记载真伪难辨，尚不得考证。
杏坛内现有石碑两幢，背东面西一碑为金承安三年(公元1198年)文人党怀英篆书“杏坛”二字，由孔子五十一代孙孔元措立石于亭内的，面南一碑为清高宗乾隆手书的《杏坛赞》，写道：“重来又值灿开时，几树东风簇绛枝，岂是人间凡卉比，文明终古共春熙”。
大成殿
大成殿是孔庙的主体建筑，是祭祀孔子的中心场所。宋崇宁三年(公元1120xx年)据《孟子》“孔子之谓集大成”语意，诏名文宣王殿曰“大成”。赞颂孔子思想空前绝后，完美不缺，集古圣贤之大成。
大成殿始建于宋天禧二年(公元1020xx年)。现在看到的大成殿是清雍正时期火后重建的。大成殿阔九间，深五间，主殿高米、阔米、深米，重檐九脊，黄瓦飞甍，斗拱交错、雕梁画栋。四周有回廊，顶端檐吻足有一人之高，前檐下为十根浮透雕水磨大石柱，柱高米，直径米，每柱二龙对翔，盘绕升腾，中刻宝珠，四绕云焰，下饰莲花石座。从底到上全部雕刻深邃，云龙腾起如飞，神态各异，远而望之，祥云之中蛟龙盘旋飞舞，使人无不感到惊讶万分。大成殿两侧回廊和后面回廊下的18根石柱为八棱八面柱，上有浅雕云龙戏珠，每一面为九龙戏珠，每根柱上就有72条龙。
殿下有双层台基，前有高二米的大露台，东西宽约45米，南北35米，南有两层大型浮雕龙陛，四周围以双层石栏，石栏下东西南三面共突出24个石雕螭首。双层石栏设计规整古雅，有复道四通。大露台是祭祀孔子时舞蹈奏乐的地方。整个大成殿气势雄伟，结构整齐，规模宏大，突兀凌空，金箔贴裹，群龙竞飞，具有明显的东方建筑特色。与北京故宫太和殿、泰安岱庙里宋天贶殿并称为东方三大殿。
大殿内有9座大型神龛，17座塑像。中间一座是孔子，孔子像坐高米，头戴十二旒冠冕，身穿十二章王服，手捧镇圭。孔子在历史上被尊为文宣王后曾经有过争论，唐玄宗开元十七年(公元739年)追谥孔子为“文宣王”，著王者之服，但此“王”并不确切，因为“王”有君王和侯王区分，有人认为应属君王之“王”，也有人认为应属侯王之“王”。宋真宗大中祥符二年(公元1020xx年)“加冕九族，服九章，从上公制”。因此看来，宋以前“文宣王”之“王”应属侯王之“王”，以后随着孔子地位进一步升高而被确认为君王之“王”。所以孔子身着的服装是十二章西周的王服(天子之制)。
孔子两侧神龛内为四配，东位面西的复圣颜回和述圣孔伋，西位面东的是宗圣曾参和亚圣孟轲。四配塑像坐高米，身穿九章公服，手执躬圭，如古代上公礼制。其后还有“十二哲”塑像。
大成殿内除17座塑像外，还有10方巨匾(有的还未复原)，正中是康熙皇帝手书的“万世师表”，光绪皇帝的“斯文在兹”，两侧是咸丰和道光的，南面是乾隆皇帝的“时中立极”等，门外正中“生民未有”是雍正皇帝的手书。
寝殿
大成殿后是寝殿。寝殿，是祭祀孔子夫人的地方。孔子夫人是春秋末期宋国人，复姓亓官，十九岁嫁给孔子，先孔子七年去世。关于亓官氏的情况典籍中记载较少，宋大中祥符元年(公元1020xx年)，真宗赵恒追封孔子夫人“郓国夫人”，元代至顺三年(公元1332年)，被加封为“大成至圣文宣王夫人”，明嘉靖八年(公元1520xx年)孔子改称为“至圣先师”，她也改称为“至圣先师夫人”。最初鲁哀公立庙时，亓官氏即同孔子一起被祭祀，唐代开始有寝殿专祠，早期曾有过亓官氏的塑像，后改为画像，清雍正年间火后重建时，改为木制牌位，上写“至圣先师夫人神位”，上罩木刻神龛，龛前有供桌。寝殿的建筑年代与大成殿同。周围石柱上的雕刻图案是凤凰牡丹。
东西两庑
玉虹楼法帖
东西两庑北部现陈列玉虹楼法帖。玉虹楼法帖是孔子第六十八代孙、衍圣公孔传铎的第五子孔继涑整理刻成的。孔继涑(公元1727——公元1794)，字体实，一字信夫，号谷园，别号薛谷居士。清乾隆三十三年(公元1768年)举人，候补中书，工书，是当时刑部尚书著名书法家张照的女婿。求学于张照，一生从事书法艺术研究，名重当时，与梁同书齐名，并称南梁北孔。玉虹楼是他的书房号，所以他所整理摹刻的法帖称为“玉虹楼法帖”。玉虹楼石刻共584块，拓印装裱成101册，故又称“百一帖”。整个玉虹楼法帖雕刻精益求精，由孔继涑独家刻成，是我国珍贵的书法珍品，具有很高的鉴赏和研究价值。
圣迹殿
孔庙的最后一座殿是圣迹殿。圣迹殿造型古雅，建于明代万历二十年(公元1592年)，由巡按御史何光主持建造的。他搜集了有关孔子的画像和文献资料，交由吴郡画工章草补充绘画并刻成石刻，这就是我国最早的完整石刻连环画——“圣迹之图”。圣迹殿是专门为存放《圣迹图》而建造的。《圣迹图》每幅高38厘米，宽60厘米，文图并茂，共120幅，描绘了孔子一生的主要活动。
故宅门
故宅门里是当年孔子的故居原址。虽不引人注目，但却是孔庙中最古老的地方。最初的孔庙就在这里。里面御赞碑亭一间，据说是孔子生前所居之堂的位置。
孔子家住阙里，故宅门所对的街道即是阙里街，阙指石阙。汉代在此街南首建有石阙两个，元代扩修孔庙时移入孔庙，“里”是指乡里即村庄或街道，因石阙得名阙里。
游客朋友们，孔庙的游览到此结束了，感谢各位在讲解中对我的支持和帮助，如果讲解过程中有什么不足之处，请多多批评指正，欢迎大家再次光临孔庙，再次光临曲阜，谢谢大家！
孔景区导游词精简版 三孔的导游词2100字【第三篇】
ladies and gentlemen!
hello everyone! my name is yiming. i'm your guide. today, i will take youto visit the "three confucius": confucius' mansion, confucius' temple andconfucius' forest.
sage confucius has a famous saying: "it's a pleasure to have friends fromafar." i'm very happy to be a tour guide. i will try my best to serve criticize and correct the shortcomings.
before visiting sankong, please allow me to introduce qufu. qufu is locatedat the junction of luzhong district and southwest plain of shandong province. libai, a great poet, once described qufu as "laughing and boasting of old friends,pointing to a desperate situation, with mountains and waters as green asorchids". now let's visit the confucius temple. confucius temple is located inthe center of qufu city. it is a charming building built by ancient people forthe great thought and broad spiritual quality of confucius. it covers an area mu, with a length of 1 km from north to south. there are 466 buildings and54 gateways. in addition, there are more than 1700 ancient trees in the temple,one by one rushing into the sky. it is said that anyone who dares to cut downone will be beheaded. every tree, every door's name contains the thought ofconfucius' benevolence.
the confucius mansion is adjacent to the confucius temple. it is theresidence of the eldest son of the sage confucius. it has three roads and ninecourtyards. it has 463 buildings and a back garden, covering an area of 240 ius mansion, also known as "yansheng mansion". "yan sheng" means that"sheng dao" and "sheng yi" can reproduce and continue,
after entering the gate of confucius' mansion, there are three roads to theback of confucius' mansion. on the east road, there are yiguan hall, muen hall,confucius' family temple, etc.; on the west road, there are red calyx hall,zhongshu hall, anhuai hall, flower hall, etc.; on the middle road, there are themain buildings of confucius' mansion, the first half of which is the governmentoffice, and the second half is the inner house.
konglin is a special cemetery for the family of confucius, the oldest andlargest family cemetery in the world. it covers an area of more than 3000 surrounding walls are 3 meters high, meters thick and li are more than 100000 trees and hundreds of plants in the forest. among thetrees, there are many steles and statues, which are very spectacular.
now free activity for 3 hours, you can visit the "three holes" by yourself,you can also play games, pics and other activities, but you must ensurehealth.
this is the end of the visit to "three holes".
介绍三孔的导游词【第四篇】
天贶殿后面是后寝三宫，中为正寝宫，面阔五间，两边为配寝宫，各三间，宋真宗大中祥符五年(公元1020xx年)诏封泰山神为“天齐仁圣帝”后，考虑到还缺个皇后，便于同年封了一个“淑明后”，并为“她”修建了后宫，从“嫔妃”则居住配寝宫。封建统治者为了达到“借神安民”的目的，真可谓“用心良苦，处心积虑了”。
天贶殿两侧为东西碑廊，各种碑碣汉画像石琳琅满目，泰山历代碑刻精品大都集中在这里。这些碑刻几乎集中国书法之大成，上追晋代“二王”，下承宋朝“四大家”，真草隶篆，体例俱全；颜柳欧赵，风格各异，其中有七大汉碑的《衡方碑》、《张迁碑》;晋代三大丰碑之一的《孙夫人碑》;造形新颖，书法相异的《双束碑》;泰山佛教记事名碑《大唐齐州神宝寺碑》等共19块，均具有很高的历史文物价值和书法艺术价值。
西侧廊内陈列的48块汉画像石是自1960年以来，几次清理大汶口和旧县东的汉画像石墓而集。这些汉画像石，内容丰富，取材广泛，有的反映车马出行、乐舞百戏等社会生活；有的描述神话故事；也有反映历史人物的，画面图案工整，造型生动，在雕刻技法上，把中国传统的画技同线刻、浮雕揉合一体，体现出古拙质朴、雄健壮美的特点，是研究中国古代文化艺术和东汉社会生活的重要实物资料。
出碑廊，过炳灵门，是“汉柏院”。院内原有“炳灵殿”，毁于民国年间。院中五棵高大的古柏，枝桠交错，若虬龙蟠旋，相传为汉武帝于元封元年(公元前120xx年)封禅泰山时所植，距今已有两千多年，“汉柏院”由此得名。
院北的“汉碑亭”是1959年在炳灵殿故址上修建的，亭子建立在三层石砌的高大台基上，十分壮观。台基壁上镶嵌乾隆五十九年(公元1749年)泰安知县何人鳞所书杜甫的《望？gt;>和《秋兴》等名人诗刻。登上亭子极目四望，天光云影，心宽臆阔，岱庙全景，泰城全貌尽收眼底。
汉柏院内碑碣林立，约计90余块。其中有后人隶书的东汉张衡的《四愁诗》、曹植的《飞友篇》，有后人篆书陆机的《泰山吟》、谢灵运的《泰山吟》以及宋朝大书法家米芾《第一山》、明崇祯年间陈昌言、左佩铉题篆的《汉柏图赞》、乾隆皇帝御制的《汉柏图》和当代众多名人留下的墨迹。置身于碑林之中就象读了一部中国的历史，接受民族的熏陶，，会给每一个严肃的观赏都留下不尽的思索。
由汉柏院向北行，穿过幽静的小花园进入一个小巧玲珑的四合院。这里是古帝王祭祀泰山时居住的地方，因座落在东华门内，故称“东御座”。其建筑为元至正七年(公元1347年)所建，明代称迎宾堂，乾隆三十五年(公元1770年)改称驻跸亭。东御座由长城花门、仪门、大门、正殿和厢房组成，院内建筑精美，绿树掩映，清静幽雅，给人以超世绝尘之感。五间正殿高筑台基之上，殿内按清宫设置作复原陈列，有乾隆帝腊人座像，有龙墩、龙椅、立柜、方桌等紫檀家具及各种大理石花纹饰和金丝锈古器型的挂屏以及文房四宝。著名的“温凉玉雕花圭”、“沉香狮子”和“黄地兰花瓷葫芦”是乾隆二十七年、三十六年朝拜泰山时的供品，并称泰山“镇山三宝”。大门和殿堂里身着清代古装的“卫士”、“宫女”以清庭礼仪迎接游客，使游人仿佛回到远古的时代，浮想联翩。
殿堂台基下立一石碑，用玻璃护罩，这就是驰名中外的“名山刻石之祖”秦刻石。《泰山秦刻石》镌刻秦始皇功德铭和秦二世诏书，为丞相李斯书写。他以简练秀雅的小篆代替了当时笔画繁赘的大篆，字迹刚劲挺拔，一扫众家肥呆之气，碑文共222字，后渐泯灭，明嘉靖年间还尚存29字，原立在岱顶玉女池旁，后经沧桑沉沦，几次失而复得，今唯剩10个残字，完整者七。堪称稀世之宝，被列为国家一级文物。
出寝宫向北，为岱庙的最后一进院落。东西两座花园内各种盆景千姿百态，艺术地再现了泰山的一景一物，奇花异草。西南方西台上的铁塔铸于明嘉靖十二年(公元1533年)，原为13级，现仅存3级，造型质朴，仍不失当年风采，与铁塔对峙的东南方台基上的铜亭，又称“金阙”，为全铜铸造，仿木结构，高米，阔，明万历四十三年(公元1620xx年)铸于岱顶碧霞祠，为供奉碧霞元君而建。明末清初移于山下灵应宫，1972年迁入岱庙，是目前国内仅存的三大铜亭之一。
“厚载门”是岱庙的最后一道门，是1984年重建的。门上有“望岳阁”三间，黄瓦明廊，红柱隔扇，犹如空中琼阁。站在阁上仰望岱岳雄姿，青山绕白云，绿树生轻烟，天门云梯宛若游龙浮挂天边。
出厚载门北行为红门路，过岱宗大街不远即到登山之起点，泰山的山门——岱宗坊，由此起步，将步步登高，饱览泰山的最佳风景，直至登“天”。
孔景区导游词精简版 三孔的导游词1500字【第五篇】
double cease day, mom and dad is going to take my children to play in the park in yichang, i was very happy.
today, we all got up early. wash and dress up, ate breakfast, and set off. my mom and dad to sit for an hour of car, finally arrived yichang, my parents and i got off the bus saw the wide parking lot and parked inside the large and small car, walked to the parking lot outside, i see the broad road, the road with beautiful flowers, neat, sidewalk no garbage, clean.
we came to children's park gate, the center of the park with lots of the flowers, colorful, very beautiful; carries out my name on both sides of the trees, grown very lush, lush.
walk to the park, i saw pigeons at a glance, with white, black, pink... looking at a lot of children in there to feed the pigeons, i also. dad met, bought a bag of corn and gave it to my, i took a few, from corn bag in hand, a few dove coming towards me, with a sharp beak pecking at the corn son, i feel itchy, this is fun.
after feeding pigeons, we walked forward, suddenly, i saw a tall and big ferris wheel, i told mom and dad said: "i want to go to the ferris wheel, you can accompany me to play?"
"yes!" father said.
mother bought three tickets, before we go to the ferris wheel, have the staff took us to the trunk, we sat in the trunk, trunk up slowly, i looked in the window, "good high!" i called to get up, and i looked down on, see the lawn, a lot of people play on the lawn, trunk up to the highest, i can't look down, heart all quick to drop out, i grabbed my dad's hand tightly, afraid to fall, also good, trunk and slowly down, we walked out of the trunk, i could hardly stand, dizzy, but i think a lot of fun. i think: if again, i will also play the ferris wheel.
we also played sand painting, a balloon, bumper car... the park there are a lot of a lot of fun!
a day passed quickly, in the evening, i reluctantly left the park.
today is a happy day.